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Home / Ableton Reverb to Make It Sound Like Note Was Played Again

Ableton Reverb to Make It Sound Like Note Was Played Again

Whether you are sound designing, mixing, or producing, using time-based effects similar a filibuster is a necessity. There are endlessly artistic and practical applications of delay furnishings, and Ableton Live's developers do an astonishing job of including a various and functional collection of delay plugins with their software package.

This article includes a detailed overview of each delay-related plugin in Ableton Alive, with parameter explanations and ideas for how to use each plugin in your productions.

Filibuster­

First off, we've got a archetype delay plugin which, surprisingly enough, is chosen "Filibuster." Although this plugin's name seems to imply simplicity, there is tons of functionality packed into this pocket-size but mighty effect.

Delay features ii separate channels (left and right) which can be linked for equal delay timing on both sides or unlinked for dissever timing. To sync the filibuster with the song's tempo, only activate the sync switch. Below the sync switch, there are 8 different numbers for each channel which correspond the delay fourth dimension in 16th notes. For a quarter notation delay, select "four" and and then on. For un-synced delay, simply turn off the sync switch and adjust the time percentage (in milliseconds) which sits underneath the numbers in each channel's cavalcade.

Delay too features a bandpass filter which filters the input signal when activated to result in a filtered delay following an unfiltered dry point. Below the bandpass filter lives the modulation parameters which command an LFO that can modulate the filter's frequency and/or the delay time. The charge per unit parameter controls the frequency/charge per unit of the LFO itself. The filter parameter adjusts the amount of modulation practical to the filter, and the time parameter adjusts the amount of modulation applied to the delay time.

Delay has tons of potential for creating creative effects. One absurd aspect of the device is its freeze parameter, which when activated, stops responding to the input bespeak and continuously feeds the same signal (at the point where information technology was activated) back into the delay. The freeze parameter features an infinity symbol to represent the endless repetitive filibuster created past its apply.

On the far right of the plugin's interface, there is a section where y'all can select the plugin's "style." This model dictates the device's behavior when the delay fourth dimension is changed as the plugin is receiving input.

These transition modes include the following:

  • Repitch emulates the beliefs of an old tape machine, which results in a change in pitch when the delay time is changed.
  • Fade will crossfade betwixt the old and new delay times
  • Jump will bound directly to the new filibuster time.

Artistic Applications for Delay

There are countless creative possibilities with Delay, only these are a few I have tried out!

  • Create a chorus effect using only the Filibuster device!
    • Delay the left and right channels by only a few milliseconds and bringing the dry-wet down to let some dry out indicate through. Enable the bandpass filter and adjust the width slider to split up the left and right channels even more. Prepare the rate slider based on the rate of chorus you are going for and set up the time slider below 50% with a repitch transition mode and the ping pong switch enabled. This creates a chorus/modulation event because the audio is existence widened and modulated through the use of filibuster, just as a typical chorus plugin would practise.
  • I of the quickest and easiest ways to make a sound wider in your mix is to filibuster one channel from the other by less than 40 milliseconds.
    • This technique works because of the Haas Outcome, which explains that the man brain's delay threshold lies at xl milliseconds and above and that any two sounds which fall closer together than forty milliseconds will exist perceived as ane sound. To employ Filibuster to achieve this issue and widen your sound, only gear up the dry out/wet knob at 100%, unlink the left and right channels, and ensure that one of the two channels has a filibuster time of less than 40ms while the other remains unaffected by the filibuster.
  • Take you lot ever wanted to make your sound like it is slowing downward similar it would if it were on a stopping tape? This effect can exist really absurd to use in productions, especially for transitions.
    • Considering classic tape machines change pitch slowed downwards or sped up, using the repitch mode, which emulates tape machine behavior when the delay fourth dimension is altered, tin can be used to create a record irksome downwardly when the delay time is automatic. To create the consequence, simply link the left and right channels and put the plugin in repitch mode. From here automate the filibuster time to quickly change from a low to a loftier value at whichever point you want the tape slow down effect to occur. This can exist done in the reverse style also to create record a speed-upwards effect.

Repeat

The words echo and delay are oft used interchangeably, especially by those who are non music production gurus. Call up of echo as more than of a spatial, natural outcome, like when you sing into a canyon and hear yourself back. Echoes are a type of filibuster which are designed to sound more natural and realistic. However, in the case of Ableton's Repeat, things tin get pretty wacky and extreme, allowing for the creation of effects that are literally out of this world. Ableton's Echo plugin is only available in the Suite version.

Repeat is a delay that is based on modulating two separate channels. These channels can be mid/side or left/correct depending on the model chosen. Merely like in the Filibuster plugin, both channels can exist linked or unlinked. The basics are similar to the Delay plugin, but it gets pretty crazy when it comes to the different tabs in the plugin.

The Echo tab shows a visual representation of both channels. It shows the timing of each delayed signal in comparing to white dots in the eye which stand for eighth notes. Y'all can actually move the yellow lines in this visual to change the timing of each individual delay line. Below the "tunnel" visual there is a toggle to open a filter visualization which allows yous to select filter cutoff and resonance for the low pass and loftier pass filters which are built into the event.

Then nosotros get to the Modulation tab, where y'all can select one of the six dissimilar LFO waveforms and select the amount of modulation practical to the delay time and filter. The Graphic symbol tab is super cool. Here, you can apply a gate, ducking, noise, or wobble to emulate record machines or a clear way for the input signal.

Creative Applications for Echo

  • Because at that place are then many modulation options congenital into Echo, there is a lot you can practice with it to create unique textures and spaces.
  • Try creating a more tape-y sound by calculation racket and wobble to your delay to create that analog imperfection we all know and dear!
  • Attempt playing around with modulation options. Modulating the filter tin can produce unique filibuster sounds without needing to add filters plugins or use parallel processing.
  • Use the reverb knob to combine reverb and delay. Information technology may sound simple, but emulating existent-globe spaces requires reverb considering no space exists without it.

Grain Filibuster

Ableton'due south Grain Filibuster is a masterpiece for creating unique and creative sounds. Grain delay works similar a granular processor, slicing the input signal into tinny pieces (grains) and allowing users to manipulate them in unlike ways. Unlike a granular sampler, however, this plugin uses grains equally delays, allowing the dry out point to shine through while processing the output bespeak equally a creatively candy delay.

The grain delay features an X-Y plane which you tin can customize as needed by routing whatever parameter to each axis. This tin result in some really wacky sounds equally you change parameters in real-time.

Grain delay includes those basic filibuster parameters like delay time and sync, but this plugin isn't the one to plow to for clean delays. The Spray parameter adds randomization to the delay time and the frequency parameter controls the size of each grain. Y'all tin can transpose the pitch of the filibuster with the pitch parameter and tin can randomize the pitch of each grain using the Random Pitch command.

Creative Applications for Grain Delay

Grain filibuster is never non creative. It is great for creating textures and calculation unique tails to your sounds.

  • There is something to be said about the power to create massive feedback loops with this plugin. Beware, yet, of calculation too much feedback and freaking out your reckoner and your ears.
  • Effort playing effectually with drum loops and repurposing them using this effect. You tin can alter the random pitch and spray effects to add variations to tedious old pulsate loops. It's a great mode to add together life to your mix.
  • Let your sound designer beats thrive by applying this event to sounds in an extreme way to completely transform them into textures you never dreamed they could be! Creepo that dry/moisture knob to eliminate the original sound altogether and make something completely new!

Filter Delay

The filter filibuster plugin uniquely features 3 separate delay lines/channels. The device, every bit suggested by its name, is based on filtering each filibuster line to create something new. Each line has its own bandpass filter which can be set manually using the visual or adjusting the frequency and resonance parameters. Each delay line tin can also be deactivated if needed.

Each delay line too features its own feedback know, volume knob, and pan know for precision and creativity. It'southward like calculation three delay devices on top of i some other and filtering and panning each one individually.

Creative Applications for Filter Filibuster

  • Play around with the panning and feedback of each delay line individually. This ane is all nearly creating texture and filling space.
  • Endeavour using the filters in contrasting ways. You tin can change the feedback time of the depression-frequencies separately from the highs to avoid muddying up the mix.
  • Endeavor applying the plugin on vocals and turning the dry/wet knob to a subtle amount to add a unique and tasteful delay to your vocals.
  • Attempt creating an audio outcome rack and processing this delay in its ain chain, mixing it into the dry signal. Then you can process the delay with its own effects such as distortion or chorus to create an even more chaotic space.

That'due south all for at present folks! Delay is my favorite type of effect and I hope you bask exploring these fabulous devices as much equally I exercise!

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Source: https://library.berklee.edu/knowledge-base/exploring-abletons-delay-plugins